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Diacronia 13, 13 iunie, 2021, art. A185 (p. 1–6)https://doi.org/10.17684/i13A185en

In the name of the father. A personal dostoevskian myth

Călin-Horia Bârleanu

Afiliații

Faculty of Letters and Communication Sciences, “Ștefan cel Mare” University, Str. Universității 13, 720229 Suceava, Romania

Istoric

Received February 26, 2021
Accepted April 1, 2021
Published August 18, 2021

Cuvinte-cheie

psychocritics
paternal figure
hero
complex

Rezumat

Dostoevsky’s name is already linked to an almost equal number of myths concerning his works, as his life. This fact does not, however, take away from his resplendence, since the true dimension of his great works is still revealing its secrets and meanings. Focused in many of his masterpieces on the paternal figure (manifestly projected or, sometimes, expressed in a latent register), the writer remains captive to his own abyss, from which he derives his creativity, undoubtedly distilling his torment – a torment, it seems, he experienced constantly throughout his life. The symbolic weaving of his work reveals a true thematic network in which the image of the father dominates akin to a god – usually an indifferent and absent one.

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  • Formate de citare
    Text:Bârleanu, C. (2021). In the name of the father. A personal dostoevskian myth, Diacronia 13 (18 august), A185 (1–6), https://doi.org/10.17684/i13A185en
    BibTeX:@ARTICLE{barleanu2021,
     author = {Călin-Horia Bârleanu},
     title = {In the name of the father. A personal dostoevskian myth},
     journal = {Diacronia},
     ISSN = {2393-1140},
     year = {2021},
     month = {august},
     number = {13},
     eid = {A185},
     doi = {https://doi.org/10.17684/i13A185en},
     pages = "(1–6)",
     url = {https://www.diacronia.ro/journal/issue/13/A185/en}
    }

Drepturi de autor

© 2021 Autorii. Drepturile de publicare aparțin Revistei. Textul este accesibil în mod gratuit, în concordanță cu prevederile licenței Open Access CC-BY.

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