Essay
Diacronia 13, June 13, 2021, A185 (1–6)https://doi.org/10.17684/i13A185en

In the name of the father. A personal dostoevskian myth

Călin-Horia Bârleanu

Affiliations

Faculty of Letters and Communication Sciences, “Ștefan cel Mare” University, Str. Universității 13, 720229 Suceava, Romania

History

Received February 26, 2021
Accepted April 1, 2021
Published August 18, 2021

Key words

psychocritics
paternal figure
hero
complex

Abstract

Dostoevsky’s name is already linked to an almost equal number of myths concerning his works, as his life. This fact does not, however, take away from his resplendence, since the true dimension of his great works is still revealing its secrets and meanings. Focused in many of his masterpieces on the paternal figure (manifestly projected or, sometimes, expressed in a latent register), the writer remains captive to his own abyss, from which he derives his creativity, undoubtedly distilling his torment – a torment, it seems, he experienced constantly throughout his life. The symbolic weaving of his work reveals a true thematic network in which the image of the father dominates akin to a god – usually an indifferent and absent one.

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    Text:Bârleanu, C. (2021). In the name of the father. A personal dostoevskian myth, Diacronia 13 (August 18), A185 (1–6), https://doi.org/10.17684/i13A185en
    BibTeX:@ARTICLE{barleanu2021,
     author = {Călin-Horia Bârleanu},
     title = {In the name of the father. A personal dostoevskian myth},
     journal = {Diacronia},
     ISSN = {2393-1140},
     year = {2021},
     month = {August},
     number = {13},
     eid = {A185},
     doi = {https://doi.org/10.17684/i13A185en},
     pages = "(1–6)",
     url = {https://www.diacronia.ro/journal/issue/13/A185/en}
    }

Copyright

© 2021 The Authors. Publishing rights belong to the Journal. The article is freely accessible under the terms and conditions of the CC-BY Open Access licence.

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