Agonizing the prayer of the heart with the withdrawal from public life and with the discreet participation in the „Rugul Aprins” meetings, the voiculescian poetic work carries a high spiritualization and interiorization, which makes his poetry considered mystical. This mystical skill, associated with a content that cultivates aesthetic pleasure - the poetic work - produces an inability to assimilate among those for whom literary value must be released from spiritualisations. The present study follows the powerful infusion of V. Voiculescu’s poetry with spiritual motives from the area of the hesychasm, mysticism (silence is a stage of the hesychia) as well as the similarities between the poetic and mystical states that Brémond had pronounced since 1925, to his theory of pure poetry. The study also draws attention to the singular character Voiculescu’s poetry has, namely to translate the spiritual experience into a poetry-state, a poetry-silence.
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