| Titlu: | Similitudini şi diversităţi în filmul de artă a două cinematografii |
| Autor: | Dumitru Olărescu |
| Publicația: | Cultură și identitate românească - Tendințe actuale și reflectarea lor în diaspora, Secțiunea Cultură și identitate românească |
| ISBN: | 978-973-703-953-8 |
| Editori: | Ofelia Ichim; Luminița Botoșineanu, Daniela Butnaru, Marius-Radu Clim, Florin-Teodor Olariu, Elena Tamba |
| Editura: | Editura Universității „Alexandru Ioan Cuza” |
| Locul: | Iași |
| Anul: | 2013 |
| Rezumat: | In the context of nonfiction film evolution the author underlines a certain category of films, and namely, the film about art. In the Romanian nonfiction filmography the same as in Bessarabian films, frequently, figure films about art and culture. The Iron Curtain which divided one and the same nation in two parts for several centuries did not admit any interaction between these two cinemas. It is about the exploration of the same motives of even mythology, history and culture. Therefore the similarities coming from the genetic background through subconscious in Bessarabian culture and art are natural. The same obvious is the diversity acquired in the process of interpretation (concept, vision, style) by art and culture filmmakers of one and the same nation from both sides of the Prut. The author of Romanian cinematography remarked a phenomenon with unprecedented in other movies: tuning back to some personalities already evoked before by the documentary screen, with additions, with new visions, and also with the ambition of avoiding some methods of approach, obsolete methods, or which became stereotypes in the aesthetic or in the language of film. As for example, the director of the work of the Theodor Aman is Titus Mesaros, and the director of the Nicolae Grigorescu and Luchian works is Erich Nussbaum. There are several samples which confirm this qualitative return to the same personalities. The conditions of work of the documentary from Soviet Moldova were difficult from the point of you of ideological plan. The subject about the people of art and culture were included selectively only in the actual reviews. And only in the 80s were launched the films about art. In addition, the documentary films about art still continue to be imposed as an important field with great perspectives in both cinemas. |
| Cuvinte-cheie: | art movies, contributions, expression, Moldavian cinema, Romanian cinema |
| Limba: | română |
| Linkuri: |  pdf  html |
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