In medieval times, one could observe a peaceful coexistence of the arts of poetry and the different forms of parodia sacra. This paper aims at analysing several works that played an important role not only in that period but also in the inner evolution of various literary creations in national languages(while detaching from the use of Latin or Vulgate Latin) starting from a paradox: the theoretic vacuum is filled with such numerous creations. If literary/ poetic theory treatises are missing or information specific to them could only be identified in the later rhetoric works, the case of literary parodic production is not similar. The medieval parody innovates with its subject choice. It particularly confronts religious topics, these artists’ originality being certified through their use of parodic doublets which they create in the middle of the most important biblical parables and even in the case of veneration moments and through parodia sacra.
Cuvinte-cheie:
art of poetry, parodia sacra, religious topics, the medieval parody biblical parables
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