| Title: | Comunitate literară şi anonimat |
| Author: | Ligia Tudurachi |
| Publication: | Anuar de Lingvistică și Istorie Literară, LV, p. 151 |
| p-ISSN: | 0066-4987 |
| Publisher: | Editura Academiei |
| Place: | Iași |
| Year: | 2015 |
| Abstract: | [Literary community and anonymity] In his last course at Collège de France (Comment vivre ensemble), Roland Barthes was mentioning a Mount of Athos monk community’s peculiarity – the tendency of paradoxically associating anonymity and singularity: ambiguous figures, strictly respecting the rigorous monastic life, which led themselves according to an individual logic and made them find their own “rhythm”. So this connection between anonymity and singularity finds itself in the very heart of literary groups. Being created for the encouragement of free and diverse manifestations of a creative spirit, these literary communities accept and accommodate the ones “without names”. The anonymous’ figure often illustrated in fictional accounts of literary gatherings acquires in this context multiple values: it designates either the number of people in the public which participate at the readings (occasionally loud), or the exterior group (the minor members or the vulnerable groups), or the lack of determination or the potentiality of the future writer. I am applying this perspective in a case study here, i.e. the Sburătorul cenacle and I propose an exposal of the ways in which the roles of the anonymous are defined in the literary group’s projects and the practice of sociability. |
| Key words: | sociology of literary groups, community politics, anonymity, vocation, „Sburătorul” |
| Language: | Romanian |
| Links: |  pdf  html |
Citations to this publication: 2
| 0 | Maricica Munteanu | The bodily community. The gesture and the rhythm as manners of the living-together in the memoirs of Viața Românească cenacle | SJRS, 2, 10-23 | 2019 | |
| 1 | Ligia Tudurachi | Plânsul de cenaclu | Phil. Jass., XIV (1), 131-143 | 2018 |
References in this publication: 0
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