“Diacronia” bibliometric database (BDD)

Écrire l’histoire de l’art pendant la guerre. Les églises en bois des Roumains de Transylvanie dans l’historiographie hongroise de 1940

Publication: Text şi discurs religios, V, Section Retorica discursului religios, p. 207-223
Publisher:Editura Universităţii „Alexandru Ioan Cuza”
Abstract:We can say that, in 1940, in the months preceding and following the Vienna Dictate, there was not a unified and coherent Hungarian perspective on Romanian art in Transylvania. Nevertheless, the opinions of art historians weren’t foreign to the government’s revisionist policy. In the polemical and scientific writings of Hungarian and Romanian scholars, the Transylvanian issue became at the time a subject of international interest. Far from considering the art historian a mere propagandist of the government’s official policy, we can nevertheless note that the pressure of political events and the obsessions trigerred by war influenced the topics in discussion/debate and the way in which art history was written.
Language: French

Citations to this publication: 1

References in this publication: 1

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