| Title: | The technique that is specified for swimming, gymnastics and handball game, hermeneutically transposed |
| Authors: | Ion Popescu-Brădiceni, Camelia Daniela Plăstoi |
| Publication: | The Proceedings of the International Conference Globalization, Intercultural Dialogue and National Identity. Section: Language and Discourse, 1, p. 684-691 |
| ISBN: | 978-606-93691-3-5 |
| Editors: | Iulian Boldea |
| Publisher: | Arhipelag XXI Press |
| Place: | Tîrgu-Mureş |
| Year: | 2014 |
| Abstract: | An almost non arbitrary opera, as a result of a previous activity, guided and framed in a certain scheme, of a synthetic action, which the spectators will read/decipher as a visual, ostensiotic text. Because in art, the character of auto representation al the game gets its expression from the specific character of the being’s increment (s.n.), of the gain by being, that a being has part through that it represents itself. The ostensive figment (sonic or sculptural) becomes a miracle though its simple appearance, occurrence. Art begins only when it ca be done another way. So ostensive, inaugural character, but also veiling and hiding sense, behold the ontic complexity of gymnastics that hermeneutics unveils to us into comprehension. This, because any artistic experience is a overthrow. (Constantin Brancusi interpreted his column as a “overthrown pendulum of time”). |
| Key words: | hermeneutically transposed, swimming |
| Language: | English |
| Links: |  pdf  html |
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