| Title: | The sources of Op Art. Predecessors and influences |
| Author: | Ioana-Iulia Olaru |
| Publication: | The Proceedings of the International Conference Globalization, Intercultural Dialogue and National Identity. Section: Language and Discourse, 1, p. 449-459 |
| ISBN: | 978-606-93691-3-5 |
| Editors: | Iulian Boldea |
| Publisher: | Arhipelag XXI Press |
| Place: | Tîrgu-Mureş |
| Year: | 2014 |
| Abstract: | History and art are two territories where we can find the topic of material present. It is an attempt to re-cast a favourable light on a special type of art which brought a fresh perspective to the era of the 60’s which it belongs to. On the one hand, though different, this kind of art was not left isolated, without an echo, its influences were found later not only in the aesthetics of artistic manifestation, but also it had multiple practical applications. On the other hand, this art – of optical illusion and of re-creating movement and volume on a bidimensional surface – did not appear out of anything. The topic of the present material is just the research of the main directions and influences which led to the appearance of the new artistic movement and prepared the floor for its emergence. The interest for suggesting movement, geometrization, the matter of opticum illusions and also for some previous artistic movements (in some cases, the return in time descends to very remote periods) are just a few of the approached subjects. |
| Key words: | modularity, trompe l’oeil, mobiluri, moar, tessellation |
| Language: | Romanian |
| Links: |  pdf  html |
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