| Title: | Stylistic cyclicity in the animation theatre |
| Author: | Anca Doina Ciobotaru |
| Publication: | The Proceedings of the International Conference Globalization, Intercultural Dialogue and National Identity. Section: Language and Discourse, 1, p. 364-367 |
| ISBN: | 978-606-93691-3-5 |
| Editors: | Iulian Boldea |
| Publisher: | Arhipelag XXI Press |
| Place: | Tîrgu-Mureş |
| Year: | 2014 |
| Abstract: | The road between the magical dimensions of the object in a performance charged with sacredness and the animated object used for technical and aesthetical reasons overlap with the history of animation theatre. The issue of stylistic cyclicity is a topic open to all those interested in theatre anthropology, a source of information that capitalizes multiple aspects generated when cultural identity and globalization meet. The acceptance of the idea that Indian puppet theatre may contain the primary roots of this art sustains the discussion of this case study, which is representative for the concept of stylistic cyclicity. It is very useful for both academic teaching as it provides arguments for the use of some techniques used in the art of performance workshops and in theoretical presentations as well. |
| Key words: | Animation theatre, India, cultural anthropology, aesthetics, puppeteer |
| Language: | English |
| Links: |  pdf  html |
Citations to this publication: 0
References in this publication: 1
| 202 | Jean Chevalier, Alain Gheerbrant | Dicționar de simboluri Mituri, vise, obiceiuri, gesturi, forme, figuri, culori, numere. Vol. I (A–D), vol. II (E–O), vol. III (P–Z) | Artemis; Polirom | 1969, 1993-1995; 2009 |
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