| Title: | Distorsionări ale evoluţiei componisticii basarabene în deceniile cinci şi şase ale secolului trecut |
| Author: | Violina Galaicu |
| Publication: | Distorsionări în comunicarea lingvistică, literară și etnofolclorică românească și contextul european, Section Cultură și identitate, p. 671-676 |
| ISBN: | 973-8953-92-5 |
| Editors: | Luminița Botoșineanu, Elena Dănilă, Cecilia Holban, Ofelia Ichim |
| Publisher: | Editura Alfa |
| Place: | Iași |
| Year: | 2009 |
| Abstract: | [The Distorsions of the Development of Bessarabian Componistics in the 5th and 6th Decades of the Previous Centuries] In this work, the author recreates the image of the Bessarabian componistics in the first 15-20 years after the addition of this territory to the Soviet State. It is shown that before 1940 the musical transprutic process was in a bipolar gravitational field, with its main elements in the Eastern musical culture and in the new scholar Romanian creation. After 1940 the situation changes. The official ideology asserts that the whole Roumanian musical culture that has been before, doesn’t belong to us, but to another ethnicity. Also, the aproaches to this musical culture had been limited. However, The Sovietic Moldova faces the necessity of building its own musical professionalism, beginning from the lowest level. Because of the lack of professionals, Moldova needs to attract foreign specialists. The support cames, as it was expected, not from Germany, Austria, Italy (as it was in the case of scholar music), but from Ukraine and Russia. The author analyses the effort of the pioneers of the Moldavian sovietical music (among them are: L.Gurov, St.Neaga, E.Coca), their themathic preferences, the gendres that they work in. It is emphasized the way on wich this musicians were related to the local musical costumes, especially the modalities (not always appropriate) of bringing together the traditional local melodies and the academic componistics. |
| Language: | Romanian |
| Links: |  pdf  html |
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