| Title: | „Moştenirea” lui Ovidiu Bîrlea într-un roman-muzeu |
| Author: | Georgeta Orian |
| Publication: | Distorsionări în comunicarea lingvistică, literară și etnofolclorică românească și contextul european, Section Critică și istorie literară: In honorem professori Dan Mănucă, p. 543-552 |
| ISBN: | 973-8953-92-5 |
| Editors: | Luminița Botoșineanu, Elena Dănilă, Cecilia Holban, Ofelia Ichim |
| Publisher: | Editura Alfa |
| Place: | Iași |
| Year: | 2009 |
| Abstract: | [Ovidiu Bîrlea’s “Heritage” in a Museum-Novel] The novel Şteampuri fără apă belongs to an exceptional folklorist, and it was written with the instruments of a person who had been born in a region so complex from the folkloric point of view, who collected, systematized and interpreted the folkloric material, elaborated a methodology of folkloric scientific research, consequently, with the instruments of a specialist. The book is an ethno-folkloric monograph, but also has the characteristics of a historical novel. A “clever” student could undertake valuable “terrain research” only by simply taking this book from the bookshelf: within an arm’s length there is a whole world, depicted in detail. As didactic device, the novel could also be used in dialectology, linguistics, history, stylistics, ethnology - ethnography - anthropology, history of arts and mentalities, sociology, but especially in folklore. The interdisciplinary offer of the novel represents a symbol and an emblem of the unaltered Transylvanian essences. Ovidiu Bîrlea finds his place with this novel among the Transylvanian prose writers, and, if we do not find his name on didactic lists near that of Ioan Slavici, Ion Agârbiceanu, Al. Ciura, Liviu Rebreanu or Pavel Dan it is so because the folklorist Ovidiu Bîrlea was stronger than the novelist Ovidiu Bîrlea. At the same time, we intend to give shape, though the text/images, to the present situation of the folkloric “inheritance” preserved in the novel. |
| Language: | Romanian |
| Links: |  pdf  html |
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