| Title: | Cronica teatrală camilpetresciană în perioada interbelică |
| Author: | Cristina Nicoleta V. Dorobăţ Ştirbu |
| Publication: | Philologica Jassyensia, X (1 supl.), p. 263-272 |
| p-ISSN: | 1841-5377 |
| e-ISSN: | 2247-8353 |
| Publisher: | Institutul de Filologie Română „A. Philippide” |
| Place: | Iaşi |
| Year: | 2014 |
| Abstract: | [Camil Petrescu’s Theatrical Reviews in the Interwar Period] Camil Petrescu’s experience of professional spectator has resulted in an impressive number of notes and reviews of theater, which is also the subject of analysis of this paper. Considering culture as the most important thing in society, the author starts in his comments from the thesis that all dramatic work is required primarily intelligence, feeling and dramatic interest. This perspective correlates with the phenomenological position captured in his theoretical works and both are reflected in the analysis grid of the theatrical performances of the period. Otherwise, working as theater columnist, using particularly intuitive spirit, Camil Petrescu highlighted honestly the personalities of stage-directors and actors who later became famous names of the Romanian theater. In this context, the critical approach proposed here will address Camil Petrescu’s dramatic chronicles from the perspective of an interdisciplinary methodological device; this allows us to emphasize the principle of objectivity and aesthetic responsiveness and equally to find the discursive strategies specific to Petrescu’s writing, especially those that allow the coexistence of an ideology theater setup, of a distinct intellectual profile, and of a picture of the era overturned in writing. |
| Key words: | theatrical chronic, performing arts, theatrical aesthetics, objectivity, aesthetic responsiveness |
| Language: | Romanian |
| Links: |  pdf  html |
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