| Title: | Configurația și specificitatea spațiului mioritic blagian |
| Author: | Eugeniu Nistor |
| Publication: | Studia Universitatis Petru Maior. Philologia, 4, p. 88-92 |
| p-ISSN: | 1582-9960 |
| Publisher: | Universitatea Petru Maior |
| Place: | Târgu Mureș |
| Year: | 2005 |
| Abstract: | In the configuration of the “mioritical space”, Blaga starts from an association between music and spacethat may appear to be superficial and conventional! Thus, Bach’s music suggests to the philosopher a “resonant field”, a special horizon that is “unlimited in all its elemental dimensions”. The regularity and innermost line of the music crept in the human unconsciousness, give a certain specificity to the spatial horizon of the soul of Germans, just as the Russian song is marked by the infinite sadness of the steppes and by the “heartrending desperation of the abyssal”, while the alpine song of the Nordics comes with “cascade gurgles”, with alternations of multiple echoes hitting against rocks and glaciers; but when he refers to the Argentinean dance song, Blaga considers that, influenced by the invincible horizon of the South-American pampas, it comes to release the interior tension of the individual by a sort of “hot melancholy of the flesh”. But the song that, put in equation with the horizon, may suggest a certain spiritual specificity of the Romanian is the doina, argues Lucian Blaga, as “it is not hard to guess behind the doina a totally particular horizon. This horizon is the field”. |
| Language: | Romanian |
| Links: |  pdf  html |
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