| Title: | Ironiser l’ecriture programmatique. Le manifeste dadaïste |
| Author: | Rodica Ilie |
| Publication: | Bulletin of the Transilvania University of Brașov. Series IV: Philology and Cultural Studies, 7 (1), p. 51 |
| p-ISSN: | 2066-768X |
| e-ISSN: | 2066-7698 |
| Publisher: | Transilvania University Press |
| Place: | Brașov |
| Year: | 2014 |
| Abstract: | The present article tries to define the inherent philosophy of the creation of Dadaism in the field of programmatic writing manifested through the form of literary manifesto, a production which elaborates itself paradoxically, just at the level of the spontaneity (‘s mimicry), of the ludic-poetical practice. Its mechanisms self-contain both a natural legitimation which organically belongs to the foundation of some literary-artistic schools (like Dadaism and Constructivism, in European Avant-garde and Cannibalism or Cultural Antropophagy in Brasylian Modernism), and a de-legitimizing phase, that gets justified itself through the cynico-kynical reason about which Peter Sloterdijk speaks (1983). Important for both the Avant-garde’s poetic as for the history and evolution of the Art in general, the dada manifesto became, at the beginning of the 20th Century, a form of reevaluating the artistic codes, a manner of putting under discussion the Creator and the Receiver as well, a productive strategy of irony and humor, of absurd and contradiction poetry of innovating the aesthetic languages. |
| Key words: | manifesto, Dadaism, the poetic of avant-garde, hybridization, irony, collage strategies of innovation the artistic codes |
| Language: | French |
| Links: |  pdf  html |
Citations to this publication: 0
References in this publication: 0
The citations/references list is based on indexed publications only, and may therefore be incomplete.
For any and all inquiries related to the database, please contact us at [Please enable javascript to view.].
Preview:
