Drawing heavily on archival research, the paper analyses the formation of the discourse of socialist realism in Romanian post-war art. A questionnaire on socialist realism to which a number of artists responded in 1948 provides an intermediate phase that brought together more types of language and conceptions of art and reveals how the Soviet model was grafted onto local interwar theories.
Key words:
Post-war art, Romania, socialist realism, Soviet art theory, wooden language
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