This article analyzes the traces of heterolingualism in two assumed self-translations (from Italian into French) of the Italian writer Gabriele D’Annunzio: the plays La villa morte (La città morta) and Le chèvrefeuille (Il ferro). After a brief history of the four texts, we will focus on the Italianisms which characterize one of the two translations, Le chèvrefeuille, and we will offera possible explanation for their presence, which responds to a specific argumentative strategy on the part of the writer.
Key words:
D’Annunzio, Gabriele; heterolingualism; self-translation; theatre and drama translation
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